Piero Piccioni Camille 2000 Rare

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Camille 2000
Directed byRadley Metzger
Produced byRadley Metzger
Written byMichael de Forrest
StarringDanielle Gaubert
Nino Castelnuovo
Eleonora Rossi-Drago
Philippe Forquet
Roberto Bisacco
Music byPiero Piccioni
CinematographyEnnio Guarnieri
Edited byHumphrey Wood
Amedeo Salfa
Production
company
Distributed byAudubon Films
Image Entertainment
Umbrella Entertainment
First Run Features
Release date
Running time
130 minutes
CountryItaly
LanguageEnglish
Budget$500,000 (est)
Italia

PIERO PICCIONI-APPASSIONATA Rare Italian OST Orig. HEAR May 11, 2011. Piero Piccioni: Camille 2000: ET 905 DLP: Easy Tempo: LP, Album: 1998: Italy: Piero Piccioni: La Decima Vittima (Original Soundtrack) ET 923 LP: Easy Tempo: LP: 1998: Italy: Piero Piccioni: To Bed Or Not To Bed: M-76005. Camille 2000 (Alternate Take). Camille 2000 (End Titles). Rare first 1998 Italian pressing of. Slow Flute Beat. PIERO PICCIONI ‎– Camille 2000.

Camille 2000 is a 1969 film based on the 1852 novel and play La Dame aux Camélias by Alexandre Dumas, fils. It was adapted by Michael DeForrest and directed by Radley Metzger. It stars Danièle Gaubert and Nino Castelnuovo with Eleonora Rossi Drago and Massimo Serato.

Plot[edit]

Marguerite, a beautiful woman of affairs, falls for the young and promising Armand, but sacrifices her love for him for the sake of his future and reputation.

Cast[edit]

  • Danièle Gaubert as Marguerite Gautier
  • Nino Castelnuovo as Armand Duval
  • Eleonora Rossi Drago as Prudence (credited as Eleonora Rossi-Drago)
  • Roberto Bisacco as Gastion
  • Massimo Serato as Armand's father
  • Silvana Venturelli as Olympe
  • Peter Chatel as Marguerite's Friend

Release[edit]

Piero Piccioni Camille 2000 Rare Edition

Camille 2000 opened in New York on July 16, 1969.[1]

Reception[edit]

Film critic Gary Morris noted that the film Camille 2000 is 'a breathless series of ultra-plush environments that resonate with Italian haute design of the period'[2] Critic Marcus Doidge referred to Camille 2000 as a 'cult' favorite and noted the film 'offered up way more drama than I expected from it. The story perfectly balances sex with drama and genuinely gives us a couple that are getting drawn closer and closer together, even when we know they would probably be better off apart at times'.[3] On Rotten Tomatoes, audiences liked the film Camille 2000 by 68%, although critics panned the film by 17%.[4]Roger Ebert was not favorably impressed with Camille 2000 and gave the film a one-star review.[5]

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See also[edit]

References[edit]

  1. ^'Camille 2000'. American Film Institute. Retrieved November 16, 2018.
  2. ^Morris, Gary (1998). 'The Films of Radley Metzger'. ImagesJournal.com. Retrieved April 9, 2017.
  3. ^Doidge, Marcus (February 11, 2013). 'Camille 2000'. DvdActive.com. Retrieved April 13, 2017.
  4. ^Camille 2000 at Rotten Tomatoes
  5. ^Ebert, Roger (October 28, 1969). 'Camille 2000 Movie Review & Film Summary (1969)'. Chicago Sun-Times. Archived from the original on January 10, 2007. Retrieved December 2, 2013.

External links[edit]

  • Camille 2000 at MUBI (related to The Criterion Collection)
  • Camille 2000 on IMDb
  • Camille 2000 at AllMovie


Retrieved from 'https://en.wikipedia.org/w/index.php?title=Camille_2000&oldid=896763533'

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About Piero Piccioni

There are few Italian film composers who can boast the prolificacy of Peiro Piccioni. Since the early '50s Piccioni has been a truly innovative composer of music for film and has been justly compared to the likes of Ennio Morricone and Bruno Nicola. In the 1950s he composed under the Americanized last name of Piero Morgan, and with his dramatic score to La Tempesta in 1958, he started to work regularly in Hollywood. With great versatility, Piccioni incorporates jazz, lounge, easy listening, and post-romantic period orchestral elements into his wide variety of work which has been the sonic backdrop for everything from B horror films to lush, romantic epics. ~ Nate Cavalieri

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